Project data like timecode or clip name are displayed in these black bars. This allows the user to scale the motion effect while changing sequences.Ī very common film workflow involves sequences having black bars on the top and bottom.
Consolidate, transcode, and archive projects.Best Practices: Working with Productions.How clips work across projects in a Production.Exporting projects for other applications.Exporting for the Web and mobile devices.Using HSL Secondary controls in the Lumetri Color panel.Adjust color using RGB and Hue Saturation Curves.Get creative with color using Lumetri looks.Overview: Color workflows in Premiere Pro.Compositing, alpha channels, and adjusting clip opacity.Viewing and adjusting effects and keyframes.Use Motion effect to edit and animate clips.Adding, navigating, and setting keyframes.
Upgrade Legacy titles to Source Graphics.Best Practices: Faster graphics workflows.Use data-driven Motion Graphics templates.
Importing AAF project files from Avid Media Composer.Setting up your system for HD, DV, or HDV capture.Use Premiere Pro in a dual-monitor setup.Best Practices: Create your own project templates.Open and edit Premiere Rush projects in Premiere Pro.Backward compatibility of Premiere Pro projects.GPU Accelerated Rendering & Hardware Encoding/Decoding.Hardware and operating system requirements.FAQ | New import and export in Premiere Pro (Beta).New import & export in Premiere Pro (Beta).